Sponsored by
Place your ad banner here.
Contact info@goanvoice.ca

Printer Friendly Version

Newsletter. Issue 2010-02. January 16, 2010

 
 
 
Newsline Canada
News Clips From India
News Clips From Goa
Goan Voice UK
People Places and Things
Events
Obituary
Commentary
Announcement
Health & Wellness
 
Classified Adverts
Subscribe to Goan Voice
Contact Us
Links & Reference Section
Newsletter Archives
       2002-2003
       2004
       2005
       2006
      2007
      2008
      2009
      2010

People Places and Things
 

Msgr. D’Souza honored at St. Francis
Extract from article by Debbie Bruce- Jan 17, 2010 in Mississauga News


Monsignor Terence D’Souza delivers the sermon at a special mass today at St. Francis Xavier Roman Catholic Church to mark the 50th anniversary of his ordination. Claudio Cugliari

A special mass was held today at St. Francis Xavier Roman Catholic Church in honour of the 50th anniversary of Monsignor Terence D’Souza’s ordination. D’Souza, a former Dufferin-Peel Roman Catholic District School Board trustee and founding pastor of the church, enjoyed a day full of people, praise and prayer.  Click here to read more

 

Lucazinho Ribeiro - The Creator of Goan Tiatr

Tiatr Academy of Goa (TAG) will for the first time celebrated the birth anniversary of Lucasinho Ribeiro, pioneer of Goan Tiatr, who scripted, directed and staged the first Tiatr "Italian Bhurgo" on 17th April, 1892 in Bombay. Lucasinho Ribeiro was born on 2nd January 1863 at Sokol Vaddo, Assagao, Bardez, Goa.

Lucasinho Ribeiro is responsible to give birth to a unique dramatic form called Tiatr in which the story of the play is divided into 6 or 7 acts and songs or kantaran are sung in between the two acts which have no relevance to the theme of the play. The first tiatr "Italian Bhurgo" that he scripted, directed and staged 117 years back was an adaptation of an Italian Opera. Joao Agostinho Fernandes, who is popularly known as Father of Tiatr considered Lucasinho Ribeiro as his 'Guru'.

Excerpts from Goanet Posting
By: tomazinho cardozo <tomazinho.goa@gmail.com
Lucazinho Ribeiro –The Creator of Goan Tiatr

It is surprising to learn that the Goan Tiatr took birth in neighboring Bombay, almost 117 years back i.e. in 1892. A young man called Lucazinho Ribeiro hailing from Sokolwaddo, Assagao in Bardez Taluka can be called the innovator of the Tiatr because he along with Joao Agostinho Fernandes and others staged the first Tiatr performance on the occasion of Easter on 17th April, 1892. The name of the first Tiatr staged was "Italian Bhurgo". This Tiatr was written and directed by Lucazinho Ribeiro hence he can be called the creator of the unique form of Konkani drama called Tiatr.

There is no documentation at all which gives a clear picture of the staging of the first Tiatr in 1892. It is only in 1943, on the occasion of Golden Jubilee of the Tiatr that Joao Agostinho Fernandes, popularly known as Father of Tiatr, wrote an article, which was published in the issue of 'Ave Maria', a weekly in Konkani in Roman script, dated 28th November, 1943. In the beginning of his article Joao Agostinho Fernandes says, " As I have taken the responsibility to celebrate the Golden Jubilee of Konkani Tiatr, I feel it is my duty to make all Goans in general and tiatr lovers in particular known who is the first Goan to write ans stage the first Tiatr." In his brief article Mr. Fernandes describes how Lucazinho Ribeiro got a job in an Italian Opera Company and how he wrote the first tiatr 'Italian Bhurgo'.

He also in this letter makes a mention of one Caitaninho who also assisted Mr.  Ribeiro besides him to stage the First Tiatr in 1892. In the last paragraph of his letter Joao Agostinho Fernandes says "Undoubtedly this credit goes to late Mr. Lucazinho Ribeiro on the Tiatr stage. I bow my head to Mr. Ribeiro, who was my guide and teacher and because of his guidance I still continue to present Tiatrs of good values to the Tiatr lovers".

This article is the only source, which provides information about the innovation of the Tiatr and the staging of the first Tiatr. The information given in this article is authentic because the letter was written by a person who was directly involved in staging the first Tiatr "Italian Bhurgo" in 1892.

Why did such a dramatic form come into existence? It was because the standard of the then existing dramatic forms 'Zagor' and 'Khell' or 'Fell' deteriorated due to introduction of elements of vulgarity to create fun and cheap entertainment for the audience. This decline of quality in staging Zagor and Khell prevented many people from witnessing these forms of entertainment. Educated people stopped patronizing the Zagor as well as the Khell. Goans were in need of good and qualitative entertainment.

During the centenary year of the Tiatr in the year 1992, I visited Assagao in order to find out the roots of Lucazinho Ribeiro. I met Lucazinho Ribeiro's grand daughter-in-law Lucy who showed me the house of Lucazinho Ribeiro, which was all in ruins. Only the balcony existed without the roof over it. One had to climb 12-14 steps to enter the collapsed balcony. She informed me that her father-in-law used to tell her that Lucazinho Ribeiro used to stage small cultural programmes of Konkani songs and skits by converting the balcony of his house into a temporary stage. He used to make use of bed-sheets as curtains.

Young Lucazinho Ribeiro migrated to Bombay, as most of the Goans did, in search of a job. During that time Italian dramatic troupes were touring important cities of India such as Bombay, Calcutta, Delhi and Madras to stage Italian Operas. When in India, they used to employ Indians mostly as back stage artistes. Lucazinho Ribeiro, having love for dramatic art, tried his luck to get employment in one of the Italian dramatic troupes. He got a job as a back stage artiste. The troupe was staging the opera called "Italian Boy". When the troupe completed its assignments and was to leave India, Lucazinho Ribeiro bought the costumes which were used in the play. This act itself shows Ribeiro's intention of producing a play similar to "Italian Boy".

Accordingly, based on the same story of "Italian Boy" he wrote a "Teatro" in Konkani and called it "Italian Bhurgo" As there were many different scenes in this "Teatro" and as it required different stage sets, in order not to waste time, he thought of dropping the curtain and introduced songs and dances in front of the curtain. He felt that it was needed to entertain the audience while the Stage Setting was being done behind the curtain.

These songs and dances did not have any relevance to the theme of the play 'Italian Bhurgo'. The experiment done by Lucazinho Ribeiro clicked. About 300 people who witnessed the performance liked the new format and congratulated Lucazinho Ribeiro and others for staging such a unique form of entertainment. Thus a new dramatic form called Tiatr was successfully staged at the then existing New Alfred Theatre, in Mumbai on 17th April, 1892. Yes the Goan Tiatr took birth in Bombay thanks to the pioneering efforts of Lucazinho Ribeiro.

 

NRI Entrepreneur Yet Undecided on Using Space in Burj Khalifa
http://www.daijiworld.com/news/news_disp.asp?

Bangalore, Jan 7 (IANS): NRI entrepreneur B.R. Shetty may have acquired two floors in the world's tallest building, the Burj Khalifa, after shelling out a stupendous Rs.100 crore-plus -- but he doesn't know what to do with them!

According to Shetty's family members, the founder partner, managing director & CEO of Abu Dhabi-based New Medical Centre, has not yet decided on how to utilise the massive space on the 100th and 141st floors in the 200-storey Burj, which was inaugurated Jan 4.

"He has no plans to permanently shift residence to Burj. Probably, he will keep it for guests and stay there whenever he goes to Dubai," they told IANS on phone from Abu Dhabi.

The 100th floor is meant for residence and the 141st for office. Shetty, who hails from Mangalore in Karnataka, has been living in Abu Dhabi for the last 36 years. The New Medical Centre is a diversified business conglomerate with interests ranging from financial services to trading in pharmaceuticals; FMCG brands; scientific, laboratory, education and medical supplies; foodstuff; retail pharmacies; gold and diamond jewellery; advertising; hospitality; real estate; information technology; engineering projects and services

Click here to read Dr. B.R. Shetty - A Profile

 

Two novels replace classic pulled from classrooms
http://www.northpeel.com/printArticle/84288
January 9 2010 | By ROGER BELGRAVE


Two books have been chosen to replace a classic literary novel removed from Grade 10 classrooms at a local Catholic high school.

This past summer St. Edmund Campion Principal Kevin McGuire pulled the Pulitzer Prize-winning novel To Kill a Mockingbird from the Grade 10 curriculum. The decision was made after a parent complained about a racial epithet used in the book, according to the Dufferin-Peel Catholic District School Board. Bruce Campbell, a spokesperson for the board, said two novels, penned much more recently than Harper Lee’s book published in 1960, are being “piloted” to replace the classic. Child of Dandelions by Shenaaz Nanji was a finalist for the 2008 Governor General’s Award and the recipient of numerous other literary accolades.

Born in Africa and now living in Calgary, writer Nanji’s young adult novel is set in 1972 Uganda when dictator Idi Amin ordered Asians out of the country. The book follows the experience of a 15-year-old girl and her family caught up in the national and personal turmoil that ensues.

Climbing the Stairs, by Rhode Island author Padma Venkatraman, is a coming-of-age novel set in 1940’s India. A young girl struggles for personal freedom with the Second World War and India’s non-violent struggle for independence, led by Gandhi, as a backdrop.

The books raise issues such as racism, inequality, hate, violence, culture, religion, feminism and the causes of war. Exploring these literary themes are part of the curriculum goals expected in Grade 10 academic English classrooms. “These books augment the Grade 10 English Academic level text list, and are currently being used to supplement existing learning resources,” said Campbell. Themes discussed in these novels are also in other books studied by Grade 10 English students at Campion and could provide fuel for discussion in other courses such as history, social studies and religion, Campbell noted.

He pointed out To Kill a Mocking Bird is still available to Campion students through the school library and used at other schools within the board.

“It is important to note that Mockingbird is still available to students at all Dufferin-Peel schools, including Campion,” Campbell said. “In fact, students in Grade 10 English at Campion can select To Kill a Mockingbird as an independent reading novel to further support the themes being studied.”

According to Campbell, the parent who complained to the principal has never filed a formal written complaint with the board. This would have initiated a full review by the board’s Challenged Materials Review Committee and involved input from board librarians, religious coordinators, trustees, the local superintendent and other parents in determining the book’s suitability for students in local Catholic schools.

Board administrators are planning to create a central review and approval process for all books used in classrooms. It would create a universal list of acceptable books teachers could use to select material for classroom lessons.

 
Battling stereotypes
By: Silvia Campos
http://www.canadianimmigrant.ca/careers/careerpaths/article/5675


“People never think I’m a lawyer,” Jane Gatwiri Rukaria says with a smile and a good-natured laugh. “When I come in they think I’m a social worker, interpreter, you name it, but never a lawyer.”

With a warm, lively personality, Rukaria seems to take all of life’s difficulties in stride, but the reason why so many mistake her identity is not so pretty: born in Kenya, she stands out among B.C. lawyers for being black and female.

“I’m the only black woman practising law in Western Canada that I know of,” she comments. “Sometimes things are tough because of the colour of my skin. I wouldn’t say you won’t succeed in business because you’re African, but there are people who won’t give you work because of it.” Rukaria, however, overcame the difficulties of being black, an immigrant and a woman and has been running her own law office in Vancouver since 2004, practising mainly in immigrant and refugee law. “I’m doing a lot of refugee work recently,” she reveals. “There’s not much money in it, but it gives me the most professional satisfaction.”

With a law degree from Nairobi University, in Kenya, Rukaria journey’s before being called to the bar in British Columbia in 2004 was filled with obstacles. Head of her own bustling law office in Mombasa, Rukaria knew she would have to start from scratch when she landed in Canada in 2002.

“My first challenge was having absolutely no network. I couldn’t find anyone with credentials from Africa to talk to — only a few white South Africans. So, there was no mentorship or resources for people like me,” she says.

To get her Kenyan law degree recognized in Canada, Rukaria was told by the Law Society of B.C. she needed to do only six courses, which could choose to do from home. That was appealing to the young mother, but she knew it would not be enough. Instead, she chose to enrol for a year of courses on-campus at the University of British Columbia — and she doesn’t regret it for a minute.

“My reason for going to UBC was to network, and the benefits were enormous. I got an excellent reference letter from a professor, attended every seminar and workshop, and volunteered, too.” To get a licence to practice law, however, lawyers also have to article — or work under the supervision of a practising lawyer. Despite Rukaria’s excellent job at networking at UBC, she quickly noticed that just emailing her resumé in response to ads was not going to help her get an articling position.

“People would think, ‘Where is Nairobi University?’” she comments.

So Rukaria put together a list of more than 20 small Vancouver firms she was interested in articling at and went door to door, introducing herself, handing out her resumé and asking for an articling position. The personal approach worked. “I had a bad experience in only three of the offices I went to and 80 per cent of the places I visited responded to my application. I found out people are actually nice!” After finishing her articles, Rukaria decided she wanted to open her own office and make it accessible to the small but growing African community in Vancouver.

“I had about $450 left to open my office after paying all my tuition fees,” she recalls.

How did she manage?

“I have a lot of faith and I pray a lot,” Rukaria says with a smile.

Now, with five years of experience in her practice, Rukaria wants to give back to other immigrant lawyers. Next year she hopes to article a student struggling to transfer credentials from another country. Everyone is welcome to apply.

“I never put people in boxes or write off anyone,” she guarantees.
 

Goan Voice designed and compiled by Demerg Systems India,
ALFRAN PLAZA, "C" Block, 2nd Floor, S-43/44,
(Near Don Bosco School), Panjim, Goa-403001
Tel: +91 0832 2420797 Email: info@goanvoice.ca