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People Places and Things
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Msgr. D’Souza honored at St. Francis
Extract from article by
Debbie Bruce- Jan 17, 2010 in Mississauga News

Monsignor Terence D’Souza
delivers the sermon at a special mass today at St.
Francis Xavier Roman Catholic Church to mark the 50th
anniversary of his ordination. Claudio Cugliari
A
special mass was held today at St. Francis Xavier
Roman Catholic Church in honour of the 50th
anniversary of Monsignor Terence D’Souza’s ordination.
D’Souza, a former Dufferin-Peel Roman Catholic
District School Board trustee and founding pastor of
the church, enjoyed a day full of people, praise and
prayer.
Click
here to read more |
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Lucazinho Ribeiro
- The Creator of Goan Tiatr
Tiatr Academy
of Goa (TAG) will for the first time celebrated the
birth anniversary of Lucasinho Ribeiro, pioneer of
Goan Tiatr, who scripted, directed and staged the
first Tiatr "Italian Bhurgo"
on 17th April, 1892 in
Bombay. Lucasinho Ribeiro was born on 2nd January
1863 at Sokol Vaddo, Assagao, Bardez, Goa.
Lucasinho Ribeiro is responsible to give birth to a
unique dramatic form called Tiatr in which the story
of the play is divided into 6 or 7 acts and songs or
kantaran are sung in between the two acts which have
no relevance to the theme of the play. The first
tiatr "Italian Bhurgo" that he scripted, directed
and staged 117 years back was an adaptation of an
Italian Opera. Joao Agostinho Fernandes, who is
popularly known as Father of Tiatr considered
Lucasinho Ribeiro as his 'Guru'.
Excerpts from Goanet Posting
By: tomazinho cardozo <tomazinho.goa@gmail.com>
Lucazinho Ribeiro –The Creator of Goan Tiatr
It is surprising to learn that the Goan Tiatr took
birth in neighboring Bombay, almost 117 years back
i.e. in 1892. A young man called Lucazinho Ribeiro
hailing from Sokolwaddo, Assagao in Bardez Taluka
can be called the innovator of the Tiatr because he
along with Joao Agostinho Fernandes and others
staged the first Tiatr performance on the occasion
of Easter on 17th April, 1892. The name of the first
Tiatr staged was "Italian Bhurgo". This Tiatr was
written and directed by Lucazinho Ribeiro hence he
can be called the creator of the unique form of
Konkani drama called Tiatr.
There is no documentation at all which gives a clear
picture of the staging of the first Tiatr in 1892.
It is only in 1943, on the occasion of Golden
Jubilee of the Tiatr that Joao Agostinho Fernandes,
popularly known as Father of Tiatr, wrote an
article, which was published in the issue of 'Ave
Maria', a weekly in Konkani in Roman script, dated
28th November, 1943. In the beginning of his article
Joao Agostinho Fernandes says, " As I have taken the
responsibility to celebrate the Golden Jubilee of
Konkani Tiatr, I feel it is my duty to make all
Goans in general and tiatr lovers in particular
known who is the first Goan to write ans stage the
first Tiatr." In his brief article Mr. Fernandes
describes how Lucazinho Ribeiro got a job in an
Italian Opera Company and how he wrote the first
tiatr 'Italian Bhurgo'.
He also in this letter makes a mention of one
Caitaninho who also assisted Mr. Ribeiro
besides him to stage the First Tiatr in 1892. In the
last paragraph of his letter Joao Agostinho
Fernandes says "Undoubtedly this credit goes to late
Mr. Lucazinho Ribeiro on the Tiatr stage. I bow my
head to Mr. Ribeiro, who was my guide and teacher
and because of his guidance I still continue to
present Tiatrs of good values to the Tiatr lovers".
This article is the only source, which provides
information about the innovation of the Tiatr and
the staging of the first Tiatr. The information
given in this article is authentic because the
letter was written by a person who was directly
involved in staging the first Tiatr "Italian Bhurgo"
in 1892.
Why did such a dramatic form come into existence? It
was because the standard of the then existing
dramatic forms 'Zagor' and 'Khell' or 'Fell'
deteriorated due to introduction of elements of
vulgarity to create fun and cheap entertainment for
the audience. This decline of quality in staging
Zagor and Khell prevented many people from
witnessing these forms of entertainment. Educated
people stopped patronizing the Zagor as well as the
Khell. Goans were in need of good and qualitative
entertainment.
During the centenary year of the Tiatr in the year
1992, I visited Assagao in order to find out the
roots of Lucazinho Ribeiro. I met Lucazinho
Ribeiro's grand daughter-in-law Lucy who showed me
the house of Lucazinho Ribeiro, which was all in
ruins. Only the balcony existed without the roof
over it. One had to climb 12-14 steps to enter the
collapsed balcony. She informed me that her
father-in-law used to tell her that Lucazinho
Ribeiro used to stage small cultural programmes of
Konkani songs and skits by converting the balcony of
his house into a temporary stage. He used to make
use of bed-sheets as curtains.
Young Lucazinho Ribeiro migrated to Bombay, as most
of the Goans did, in search of a job. During that
time Italian dramatic troupes were touring important
cities of India such as Bombay, Calcutta, Delhi and
Madras to stage Italian Operas. When in India, they
used to employ Indians mostly as back stage
artistes. Lucazinho Ribeiro, having love for
dramatic art, tried his luck to get employment in
one of the Italian dramatic troupes. He got a job as
a back stage artiste. The troupe was staging the
opera called "Italian Boy". When the troupe
completed its assignments and was to leave India,
Lucazinho Ribeiro bought the costumes which were
used in the play. This act itself shows Ribeiro's
intention of producing a play similar to "Italian
Boy".
Accordingly, based on the same story of "Italian
Boy" he wrote a "Teatro" in Konkani and called it
"Italian Bhurgo" As there were many different scenes
in this "Teatro" and as it required different stage
sets, in order not to waste time, he thought of
dropping the curtain and introduced songs and dances
in front of the curtain. He felt that it was needed
to entertain the audience while the Stage Setting
was being done behind the curtain.
These songs and dances did not have any relevance to
the theme of the play 'Italian Bhurgo'. The
experiment done by Lucazinho Ribeiro clicked. About
300 people who witnessed the performance liked the
new format and congratulated Lucazinho Ribeiro and
others for staging such a unique form of
entertainment. Thus a new dramatic form called Tiatr
was successfully staged at the then existing New
Alfred Theatre, in Mumbai on 17th April, 1892. Yes
the Goan Tiatr took birth in Bombay thanks to the
pioneering efforts of Lucazinho Ribeiro. |
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NRI
Entrepreneur Yet Undecided on Using Space in Burj
Khalifa
http://www.daijiworld.com/news/news_disp.asp?
Bangalore, Jan 7 (IANS): NRI entrepreneur B.R. Shetty
may have acquired two floors in the world's tallest
building, the Burj Khalifa, after shelling out a
stupendous Rs.100 crore-plus -- but he doesn't know
what to do with them!
According to Shetty's family members, the founder
partner, managing director & CEO of Abu Dhabi-based
New Medical Centre, has not yet decided on how to
utilise the massive space on the 100th and 141st
floors in the 200-storey Burj, which was inaugurated
Jan 4.
"He has no plans to permanently shift residence to
Burj. Probably, he will keep it for guests and stay
there whenever he goes to Dubai," they told IANS on
phone from Abu Dhabi.
The 100th floor is meant for residence and the 141st
for office.
Shetty, who hails from Mangalore in Karnataka, has
been living in Abu Dhabi for the last 36 years.
The New Medical Centre is a diversified business
conglomerate with interests ranging from financial
services to trading in pharmaceuticals; FMCG brands;
scientific, laboratory, education and medical
supplies; foodstuff; retail pharmacies; gold and
diamond jewellery; advertising; hospitality; real
estate; information technology; engineering projects
and services
Click here to read Dr. B.R. Shetty - A Profile |
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Two novels replace classic
pulled from classrooms
http://www.northpeel.com/printArticle/84288
January 9 2010 |
By ROGER BELGRAVE
Two books have been chosen to replace a classic
literary novel removed from Grade 10 classrooms at a
local Catholic high school.
 This past summer St. Edmund Campion Principal Kevin
McGuire pulled the Pulitzer Prize-winning novel
To Kill a Mockingbird from the Grade 10
curriculum. The decision was made after a parent complained
about a racial epithet used in the book, according
to the Dufferin-Peel Catholic District School Board.
Bruce Campbell, a spokesperson for the board, said
two novels, penned much more recently than Harper
Lee’s book published in 1960, are being “piloted” to
replace the classic.
Child of Dandelions by Shenaaz Nanji was a
finalist for the 2008 Governor General’s Award and
the recipient of numerous other literary accolades.
Born in Africa and now living in Calgary, writer
Nanji’s young adult novel is set in 1972 Uganda when
dictator Idi Amin ordered Asians out of the country.
The book follows the experience of a 15-year-old
girl and her family caught up in the national and
personal turmoil that ensues.
Climbing
the Stairs, by Rhode Island author Padma Venkatraman,
is a coming-of-age novel set in 1940’s India. A
young girl struggles for personal freedom with the
Second World War and India’s non-violent struggle
for
independence, led by Gandhi, as a backdrop.
The books raise issues such as racism, inequality,
hate, violence, culture, religion, feminism and the
causes of war. Exploring these literary themes are
part of the curriculum goals expected in Grade 10
academic English classrooms.
“These books augment the Grade 10 English Academic
level text list, and are currently being used to
supplement existing learning resources,” said
Campbell.
Themes discussed in these novels are also in other
books studied by Grade 10 English students at
Campion and could provide fuel for discussion in
other courses such as history, social studies and
religion, Campbell noted.
He pointed out To Kill a Mocking Bird is still
available to Campion students through the school
library and used at other schools within the board.
“It is important to note that Mockingbird is still
available to students at all Dufferin-Peel schools,
including Campion,” Campbell said. “In fact,
students in Grade 10 English at Campion can select
To Kill a Mockingbird as an independent reading
novel to further support the themes being studied.”
According to Campbell, the parent who complained to
the principal has never filed a formal written
complaint with the board. This would have initiated
a full review by the board’s Challenged Materials
Review Committee and involved input from board
librarians, religious coordinators, trustees, the
local superintendent and other parents in
determining the book’s suitability for students in
local Catholic schools.
Board administrators are planning to create a
central review and approval process for all books
used in classrooms. It would create a universal list
of acceptable books teachers could use to select
material for classroom lessons. |
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Battling stereotypes
By: Silvia Campos
http://www.canadianimmigrant.ca/careers/careerpaths/article/5675
“People never think I’m a lawyer,” Jane Gatwiri
Rukaria says with a smile and a good-natured laugh.
“When I come in they think I’m a social worker,
interpreter, you name it, but never a lawyer.”
With a warm, lively personality, Rukaria seems to
take all of life’s difficulties in stride, but the
reason why so many mistake her identity is not so
pretty: born in Kenya, she stands out among B.C.
lawyers for being black and female.
“I’m the only black woman practising law in Western
Canada that I know of,” she comments. “Sometimes
things are tough because of the colour of my skin. I
wouldn’t say you won’t succeed in business because
you’re African, but there are people who won’t give
you work because of it.”
Rukaria, however, overcame the difficulties of being
black, an immigrant and a woman and has been running
her own law office in Vancouver since 2004,
practising mainly in immigrant and refugee law.
“I’m doing a lot of refugee work recently,” she
reveals. “There’s not much money in it, but it gives
me the most professional satisfaction.”
With a law degree from Nairobi University, in Kenya,
Rukaria journey’s before being called to the bar in
British Columbia in 2004 was filled with obstacles.
Head of her own bustling law office in Mombasa,
Rukaria knew she would have to start from scratch
when she landed in Canada in 2002.
“My first challenge was having absolutely no
network. I couldn’t find anyone with credentials
from Africa to talk to — only a few white South
Africans. So, there was no mentorship or resources
for people like me,” she says.
To get her Kenyan law degree recognized in Canada,
Rukaria was told by the Law Society of B.C. she
needed to do only six courses, which could choose to
do from home. That was appealing to the young
mother, but she knew it would not be enough.
Instead, she chose to enrol for a year of courses
on-campus at the University of British Columbia —
and she doesn’t regret it for a minute.
“My reason for going to UBC was to network, and the
benefits were enormous. I got an excellent reference
letter from a professor, attended every seminar and
workshop, and volunteered, too.”
To get a licence to practice law, however, lawyers
also have to article — or work under the supervision
of a practising lawyer. Despite Rukaria’s excellent
job at networking at UBC, she quickly noticed that
just emailing her resumé in response to ads was not
going to help her get an articling position.
“People would think, ‘Where is Nairobi University?’”
she comments.
So Rukaria put together a list of more than 20 small
Vancouver firms she was interested in articling at
and went door to door, introducing herself, handing
out her resumé and asking for an articling position.
The personal approach worked.
“I had a bad experience in only three of the offices
I went to and 80 per cent of the places I visited
responded to my application. I found out people are
actually nice!”
After finishing her articles, Rukaria decided she
wanted to open her own office and make it accessible
to the small but growing African community in
Vancouver.
“I had about $450 left to open my office after
paying all my tuition fees,” she recalls.
How did she manage?
“I have a lot of faith and I pray a lot,” Rukaria
says with a smile.
Now, with five years of experience in her practice,
Rukaria wants to give back to other immigrant
lawyers. Next year she hopes to article a student
struggling to transfer credentials from another
country. Everyone is welcome to apply.
“I never put people in boxes or write off anyone,”
she guarantees. |
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